Reaching Skywards

Thanks, lads. I saw it immediately as an abstract, rather than a nice shot of trees. The clouds really were the deciding factor, cutting across the verticals in a perfect position. I had a yellow filter, Brian, but also put it through a Nik Silver filter called Low Key, which darkened the sky and brought out the trees. I'm particularly pleased with how it worked out, as it is almost exactly what I hoped it would look like at the time. And I don't mind combining analogue film with a modicum of digital processing of the sort which emulates darkroom techniques.
 
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