Lesley Jones
Otherwise know as Zooey
I don't know if this is the right section, but it's about scanned film and further processing. I'm still working through another back log, but once that is done I have several decades of film to scan. Now I did some a few years ago when I had the Coolscan and the scratch repair, only it didn't work on black and white. The Coolscan died and I have a replacement, but it either doesn't do scratch repair at all, or it still doesn't work on black and white. (Sorry... it's been a while since I used it). I've had various people processing my film over the years - some clearly weren't even capable of doing pushed film. One guy was good until I scanned the negatives and honestly... it looks as though he went over them with a Brillo pad. I think he was keen to remove drying marks, but I have a few of those too.
In the past it would have taken hours to repair the damage. I rather stupidly applied the PS dust and scratch filter to the entire image and although I only used mild settings, I'm sure I have lost some of the detail. I intend to rescan, but I need a better method. I thought I spotted something a while ago, but I forget exactly how it was done and now I can't find the article. I think it went along the lines of using a very strong dust and scratch removal on a duplicate layer and then putting a transparent layer between the two. Group the top with the middle and then... would it have been painting over with the brush set to darken? I think the idea was only the pixels in the top image that were darker than the bottom image would be copied, so even if you used a wide brush, only the thin scratch would be affected.
I need to test this later, but if anyone has any suggestions I would be most grateful
In the past it would have taken hours to repair the damage. I rather stupidly applied the PS dust and scratch filter to the entire image and although I only used mild settings, I'm sure I have lost some of the detail. I intend to rescan, but I need a better method. I thought I spotted something a while ago, but I forget exactly how it was done and now I can't find the article. I think it went along the lines of using a very strong dust and scratch removal on a duplicate layer and then putting a transparent layer between the two. Group the top with the middle and then... would it have been painting over with the brush set to darken? I think the idea was only the pixels in the top image that were darker than the bottom image would be copied, so even if you used a wide brush, only the thin scratch would be affected.
I need to test this later, but if anyone has any suggestions I would be most grateful