Trees and a river

I've just realised that Sally Mann has been ripping me off unknowingly :eek::D

Sally River.jpg

sally river 2.jpg


Seriously, though, I do like what she has done. Hers are collodion prints, which is not something I want to get into (not liking chemicals at all) but I do like the effect.
 
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I've been humming and hawing about what to do with the project. Aim for a book, and/or an exhibition, or an online blog? The first two options could be expensive for me, the latter free. I'm tired of just shooting everything that does or doesn't move, and want to work on a larger project that could be more fulfilling and possibly more meaningful. It's time to step up in my photography, just not sure what exactly to do.
 
My thoughts exactly. I'm getting good prints every month now from Ilford of my "best of" for the month. That might only be one shot, or half a dozen if I got lucky. 10x8 minimum. I far prefer looking at prints than on screen. But who would buy a book if not from a publisher with a history of photographic monologues? Zines are popular for the indy crowd, but I'm not one of those. You have time very proactive in annoying people into buying one, which I can't be bothered with. But if I get a print of one good shot a month of the river project, I'd have enough for a small exhibition in a year. Framing is expensive, though.
 
An exhibition would be great and if you find a local venue and a time would add just enough pressure to keep you going I suspect. I'm always attracted to the self-publish print-on-demand services (eg Blurb) and I have bought several books of people images from these.
 
Is there any point in making a Blurb book from LR while living in Europe? Isn't it an American-based printer? There would be added shipping costs to consider.
 
Yes. Glad you think so too. I agonised over the tone and strength of the sepia. Still wondering if it is too much, but it's probably about right.
 
Yes. Glad you think so too. I agonised over the tone and strength of the sepia. Still wondering if it is too much, but it's probably about right.
I think the toning here is good. I went through a phase where I was applying sepia tone to a lot of B&W images. Now I look back on them and wish I hadn't. I now realize I was heavy-handed with the sepia.
 
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