Chris Dodkin
West Coast Correspondent
Photographer Andreas Schmidt captures the bright lights and towering architecture of London’s financial centre as it’s never been seen before.
In this series titled ‘The City’, Schmidt captures the seductive glamour of one of the world’s financial centres as he roams the streets of London after dark, stopping in places others may pass by and pondering the moment.
Although images of inherent beauty, these photographs are much more than this. 'The Spectacle of Illusion: The City', a book by Roy Exley (Hatje Cantz 2009), says this series “questions the role of photography and subsequently the role of the viewer of those photographs of architecture which often question the role of architecture”.
Andreas Schmidt is currently showing his work at France’s international photography festival ‘Les Rencontres d’Arles’ in an exhibition curated by Martin Parr which runs until Sunday
http://www.eyestorm.com/blog/cat/exhibition/post/Andreas-Schmidt/
In this series titled ‘The City’, Schmidt captures the seductive glamour of one of the world’s financial centres as he roams the streets of London after dark, stopping in places others may pass by and pondering the moment.
Although images of inherent beauty, these photographs are much more than this. 'The Spectacle of Illusion: The City', a book by Roy Exley (Hatje Cantz 2009), says this series “questions the role of photography and subsequently the role of the viewer of those photographs of architecture which often question the role of architecture”.
Andreas Schmidt is currently showing his work at France’s international photography festival ‘Les Rencontres d’Arles’ in an exhibition curated by Martin Parr which runs until Sunday
http://www.eyestorm.com/blog/cat/exhibition/post/Andreas-Schmidt/