Thanks Brian, as you request I'll expand

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You nailed it with the cross shadow - I was struck by the ominous hard edges overlaying the exposed rocks and saw a composition. As I mentioned above, I'd been exploring Dune and Mr Herbert's vision of a desert planet was fresh in my mind's eye.
The film was my last roll of Santa Colour 100, cross processed in E6 as I wanted to see the results as a positive. I edited the tone based on the above feeling of a captured oppression from the novel Dune. I'm quite the fan of tonal direction in my photos these days, and aim to experiment with this more moving forward. The wedding shots are all on the same film stock, but the hues were more red leaning naturally. The location is then nearby seaside of Morecambe.
The street shots were 1989 expired Ektachrome 100, amazed how well they developed and testament to the lab.