My love of medium format film camera's.

Stephen Baker

Well-Known Member
I have a few 35mm film camera's including a Fujica ST 605n, a Fujica ST801 which I saw in dixons in the mid 70's and remember saving up untill I had enough money to make it mine, a Pentax SL ( a lovely fully manual camera which just feels like quality in your hands ) and an Olympus PEN which was donated to me by my father, this again is a cracking little camera which I should use a bit more..Most of you probably know, but for those of you that dont the Olympus PEN is a half frame camera, so you get 72 frames out of a 36 roll with the down side being the negative are small, but a film camera to stick in you pocket and have some fun with...

Mind you the above film camera's have taken a bit of a back seat lately as my real love for film camera's is medium format ( and one day large format hopefully) as there really is nothing like pulling out a bit of medium format slide film from the developing tank and having a first look at the results that contain such detail and colours or a nice bit of Black and white format film that looks just as B & W should..

Below is my Ziess Ikonta 530/2, a folding rangefinder camera that was made in the early 1930's and back in their days these really were well thought of with the ever so sharp Carl Ziess jenna lens and a cracking rangefinder system. I use my Ziess with the 9 x 6 format ( 9 x 6 cm's) I think you could get a mask at the time to make the camera into a 645 format but I would imagine most of them have been lost over the years..of course there is a down side to 6x9 and that is only getting 8 frames from a roll of film..but then if I was trying to save money I wouldn't be playing with film.



Next on the list is my Mamiya 645 Pro TL, A camera that I love using as it is reasonably lightweight for a medium format camera and gives a framesize of 6x4.5 cm's. mine has got a metered prism for sorting out your exposures and using in aperture mode, but I have to be honest I much prefer using it with the waist level finder and find that the sunny sixteen rule sorts out the exposure most of the time.



Next on my list is my Mamiya C330f, this is TLR camera and give a frame size of 6x6 cm's and being Square they are becoming quite popular, with this camera we are now starting to get a bit heavier and if you have this around your neck all day you will know about it. It is a bit unusual for a TLR as it has interchangeable lenses which is very handy as you can use it for landscapes then change the lens and use it for portraits, the focusing is done by way of bellows so if you are focusing close and have the bellow out you then have to work out for a bit of exposure compensation or your pictures will come out under exposed. a great camera that I use mainly for black and white..



I have saved my favourite untill last The Beast...a Mamiya Rb 67 SD pro, a big in your face heavy camera that I only really use on a tripod . It give a frame size of 7x6cm's landscape and if you rotate the back ( hense the RB in the name ) you get 7 x 6cm's portrait. I use this camera mainly for landscapes, the lenses are cheap, sharp and a quality lens the camera has a mirror lock up and after you have seen the size of the mirror you will realise how usefull this option is, in fact I use mine all of the time.



And just so as you can see quite how big the RB67 is below is a shot of it sitting with the C330 and the 645 Pro.

I know none of this will be new to many of you film guys on here, but I thought I would post it in case it was of interest to some. Thanks for looking, Stephen.

As much as I like my film , these pictures were courtesy of my Nikon D300s digital camera, which I couldnt live without :)

 
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Excellent intro to your cameras, Stephen. A shot or two from each would be great, if possible.

I'm wondering how you attach the filter on the RB67?
 
Great summary and mini 'reviews' Stephen. Thanks.

I must confess to being a MF/LF junkie too. I seem to hardly ever shoot 35mm film any more and mostly shoot digital in that format - but I should (I have fridge full of the stuff after all).

So, you like Mamiyas then do you?! ;)
 
Excellent intro to your cameras, Stephen. A shot or two from each would be great, if possible.

I'm wondering how you attach the filter on the RB67?

It depends on what type of filter I would be using, if it was just a screw in filter like a skylight or uv filter ( not that I use them ) i would just screw the filter onto the lens then screw the lens hood ring into the filter ring...If i was using a screw in 6 or ten stop filter I just screw direct into the lens and dont use a hood and when using My Lee filter system ( grads etc ) I again dont use a lens hood...

If you ever see a mamiya bellows hood for your RB 67 they are well worth getting, if needed they accept gel filters into the back of the hood...

Did you ever get a twin cabled shutter release Rob ?
 
Great summary and mini 'reviews' Stephen. Thanks.

I must confess to being a MF/LF junkie too. I seem to hardly ever shoot 35mm film any more and mostly shoot digital in that format - but I should (I have fridge full of the stuff after all).

So, you like Mamiyas then do you?! ;)
Oh yes pete I love my mamiyas, mind you I love my Nikons in digital format as well...And I am hope in the next year to be loving a 5 x 4 Ebony :)
 
They can be very expensive. People tell me to just use a single one for the M:UP, and just press the shutter release by hand... a lot cheaper, but there is still the possibility of camera shake. I do have a good, solid tripod now, which certainly helps.
 
They can be very expensive. People tell me to just use a single one for the M:UP, and just press the shutter release by hand... a lot cheaper, but there is still the possibility of camera shake. I do have a good, solid tripod now, which certainly helps.

You can use just one release and that will stop all of the camera shake as you screw it into the lens ( well you do on my kl lenses ) cock the shutter with the lever then press the shutter button on the camera front which puts the mirror up and then press the cable which releases the shutter in the lens... I did play about with two seperate cable releases, but in the end it was so much easier to buy the correct thing as you just press part way which raises the mirror then continue pressing the rest of the way to release the shutter.. also makes it easier to use the T mode for long exposures..
 
Below is my Ziess Ikonta 530/2, a folding rangefinder camera that was made in the early 1930's and back in their days these really were well thought of with the ever so sharp Carl Ziess jenna lens and a cracking rangefinder system. I use my Ziess with the 9 x 6 format ( 9 x 6 cm's) I think you could get a mask at the time to make the camera into a 645 format but I would imagine most of them have been lost over the years..of course there is a down side to 6x9 and that is only getting 8 frames from a roll of film..but then if I was trying to save money I wouldn't be playing with film.


Beautiful.
I love that it fits in a coat pocket.
 
Mmmmmm medium format goodness - lovely kit

Only managed to get in MF this year, and loved it! :)
 
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