Critique Welcomed Plockton Harbour--From the water's edge

[Brian Moore]

Canon P and Canon 35/1.8 with Kodak Ektar 100 film.

 

[Davie Hudson]

Canon P and Canon 35/1.8 with Kodak Ektar 100 film.

very nice indeed Brian

 

[Brian Moore]

very nice indeed Brian

Thanks Davie.

 

[Julian de'Courcy]

Gorgeous scape Brian. the aesthetic quality of the film compliments the scene so well. Exeeelent

 

[Brian Moore]

Gorgeous scape Brian. the aesthetic quality of the film compliments the scene so well. Exeeelent

Thank you, Julian.

 

[Ivar Dahl-Larsen]

Can't quite make up my mind whether I would like some more saturation or not, but a fine image it is.

 

[Brian Moore]

Can't quite make up my mind whether I would like some more saturation or not, but a fine image it is.

The saturation level in the image matches what I recall of the scene in my mind's eye, so I'm happy with it. Thanks Ivar.

 

[Milan Vjestica]

It really does have that soft almost pastel type of colouring. Dare I say analogue?

Lovelly image.

 

[Ivar Dahl-Larsen]

It really does have that soft almost pastel type of colouring. Dare I say analogue?

Lovelly image.

As long as you don't say proper Milan

 

[Brian Moore]

It really does have that soft almost pastel type of colouring. Dare I say analogue?

Lovelly image.

Thanks Milan.

 

[Pete Askew]

And another superbly painterly shot. Love it.

 

[Beth Carter]

really loving this series. beautiful.

 

[Brian Moore]

And another superbly painterly shot. Love it.

Thank you, Pete.

really loving this series. beautiful.

Thank you, Beth.