Swmbo

[Brian Moore]

And also that's my wife holding her leash.

Critique at your own risk!

Edit: I should mention that this is an example of Black and White "Redscale." I took some Kodak BW400CN (B&W film intended to be processed in color chemistry) and rewound it backwards then I shot it 2 stops over using my Canon F1. I think if I do this again I will shoot it only 1 stop over.

@Pete Askew please note the lovely stars I have captured in the image just left of the palm tree behind my wife, and also the small lightning bolt just left of the furthest palm tree on the right.

 

[Chris Dodkin]

Looks like the ladies are having a lovely walk Brian - very nice look with the modified film

 

[Brian Moore]

Looks like the ladies are having a lovely walk Brian - very nice look with the modified film

Thanks, Chris. Much obliged.

 

[Beth Carter]

oooh, love the stars and the lightning bolt, great timing! nice tones, did you enjoy your day out carrying all of the doggy treats and shopping bags?

 

[Brian Moore]

oooh, love the stars and the lightning bolt, great timing! nice tones, did you enjoy your day out carrying all of the doggy treats and shopping bags?

Thank you for the kind words, Beth. As they say, "timing is everything." And yes,...being a mere pack mule much of the time I did enjoy my day out.

 

[Dave Green]

Oooooh - Redscale - that's a new one to me - and is now on the list

Love the aliens - and the Batdog shadow

 

[Rob MacKillop]

Nice one, again, Brian. Always a pleasure to view your work.

 

[Glenn Clabo]

First...you married WAY OVER YOUR HEAD.
And this is just a cool shot. The happy is clear.

 

[Brian Moore]

Oooooh - Redscale - that's a new one to me - and is now on the list

Love the aliens - and the Batdog shadow

Thank you, Dave.

By the way Redscale film is usually color film. You can buy it from Rollei ("Redbird" it's called) or you can make your own by simply winding a roll of film into an empty canister backwards, such that light hits the red base layer first when you shoot an image. Depending on your exposure the resulting image can look deep red or can have a quite nice beige/yellow tone. Shoot the film at box speed and you'll typically get the red. Overexpose and it will go toward the beige/yellow tones.

Here's one (that turned out more red than I expected)
http://www.realphotographersforum.com/forum/threads/the-vincent-thomas-bridge.14166/#post-108232

Here's one in the beige/yellow tone (and also in one of my posts in this thread I describe briefly how to convert a roll to redscale in case you're interested in trying it)
http://www.realphotographersforum.com/forum/threads/home-made-redscale.13863/#post-105511

Thanks again, Dave!

 

[Brian Moore]

Nice one, again, Brian. Always a pleasure to view your work.

That's high praise indeed, Rob. Thank you!

 

[Brian Moore]

First...you married WAY OVER YOUR HEAD.

You got that completely correct, Glenn!

And thanks for the comments.

 

[Paul Lange]

From the angle it seems you were on the floor in front of them, just where I guess they like to keep you.

 

[Brian Moore]

From the angle it seems you were on the floor in front of them, just where I guess they like to keep you.

lol. Yeah that's right, Paul. (Although I was on the next step down.)