The Shape

[Rob MacKillop]

In the grounds of the museum of modern art in Edinburgh.
Quattro DP2. SPP.​

 

[Martin Carlin]

Very nice Rob still trying to figure out what the first one is and come to think of it the second one too. Great lines and shapes.

 

[Rob MacKillop]

Here's one from three years ago, made with a pinhole camera, which shows more of the shape and its surroundings:

 

[Julian de'Courcy]

I was happy with not knowing as the renditions were enough to keep this little chappy happy. Beautiful Rob.

Looks as if someone dropped the bell.

 

[Martin Carlin]

Love the lines of your new images Rob. very good composition

 

[Rob MacKillop]

I like the surface textures this camera can give.

 

[John Allen]

That first image, just "Wow!"

 

[John Allen]

I like the surface textures this camera can give.

The textures, the dynamic range, the detail. It's all pretty impressive.

 

[Rense Haveman]

Excellent!

 

[Rob MacKillop]

Thanks, lads (where are the lassies?). The first image will be going for a print, I think.

 

[Ivar Dahl-Larsen]

As all say, the first one is exceptionally good. The next one follows suit, but the last one feels probably as I did one time in my twenties

 

[Rob MacKillop]

I'm still in my twenties, Ivar. But then again, I seem to be living my life backwards!

 

[Rense Haveman]

I'm still in my twenties, Ivar. But then again, I seem to be living my life backwards!

You look rather grown-up for such a young lad!

 

[Ivar Dahl-Larsen]

You look rather grown-up for such a young lad!

Some age very fast Rense, becoming vintage models real fast apparantly

 

[Pete Askew]

Julianesque! And lovely. The composition in the second is very, very effective I think.

 

[Rob MacKillop]

An honour, indeed!