Chris Dodkin
West Coast Correspondent
I'm sure many of you, like me, remember playing with one of these as a kid
I can remember having hours of fun looking at Jungle Book in 3D!
Well, back in 1950 - you could buy your own Personal Stereo Camera from View-Master, and shoot your own 3D photos.
Here's my 1950s View-Master Personal - which still appears to be in working condition.
It's a fantastic bit of kit - with deco styling, and the most revolutionary twin wheel coupled exposure calculator.
It's a genius piece of mechanics, you can independently rotate the 'lens opening' dial and the 'shutter speed' dials - and all you need to do is twiddle until you match the light conditions with the 'average' exposure line on the dial. ASA is set on the top, and even has recommendations for summer and winter!
The camera takes a standard 35mm film, and exposes up to 70 stereo pairs of shots on a normal 36 shot roll. Focus is fixed, with the stereo window starting about 5 feet from the camera (Objects closer than 5 feet that make contact with the edge of the frame can be jarring to the viewer).
It has advanced features such as a built in filter holder for each lens, before the lens shutter mechanism - and a bubble level in the viewfinder.
Just a gorgeous looking piece of kit - and the fact that it's from 1952 still blows me away.
I can remember having hours of fun looking at Jungle Book in 3D!
Well, back in 1950 - you could buy your own Personal Stereo Camera from View-Master, and shoot your own 3D photos.
Here's my 1950s View-Master Personal - which still appears to be in working condition.
It's a fantastic bit of kit - with deco styling, and the most revolutionary twin wheel coupled exposure calculator.
It's a genius piece of mechanics, you can independently rotate the 'lens opening' dial and the 'shutter speed' dials - and all you need to do is twiddle until you match the light conditions with the 'average' exposure line on the dial. ASA is set on the top, and even has recommendations for summer and winter!
The camera takes a standard 35mm film, and exposes up to 70 stereo pairs of shots on a normal 36 shot roll. Focus is fixed, with the stereo window starting about 5 feet from the camera (Objects closer than 5 feet that make contact with the edge of the frame can be jarring to the viewer).
It has advanced features such as a built in filter holder for each lens, before the lens shutter mechanism - and a bubble level in the viewfinder.
Just a gorgeous looking piece of kit - and the fact that it's from 1952 still blows me away.