Architectural Features

[Rob MacKillop]

DP3Quattro

 

[Dave Farnes]

That is an interesting set of detail pics. Like the shots of the stonework, remarkable just how many different colours there are in what to a quick glance is just a simple piece of stone.

 

[Rob MacKillop]

Cheers, Dave. Exactly. The colours are both varied and beautiful, and what attracted me in the first place to some of these shots. Even nicer after rain.

 

[Brian Moore]

Reminds me a little of Eugene Atget, who documented architectural details in Paris around the turn of the last century. That white railing is a very nice fotie, Rob.

 

[Rob MacKillop]

Atget just pre-copied me, Brian. That's what folk didn't like about him at the time. But there's nothing I can do about it now.

 

[Brian Moore]

Atget just pre-copied me, Brian. That's what folk didn't like about him at the time. But there's nothing I can do about it now.

Clearly he pre-copied you. (Some artists don't become known until after they die. You evidently became known before your were born. A fascinating distinction.)

 

[Rob MacKillop]

I know. I'm glad you don't share the linear concept of time, as most people do. It can be so limiting...

 

[Brian Moore]

Its a constraint we could all do without.

 

[Rob MacKillop]

 

[Julian de'Courcy]

Excellent set Rob and liking the anthropomorphic latch. It's wearing a nice coat.

 

[Rob MacKillop]

And doing the splits

 

[Ivar Dahl-Larsen]

I am so sorry that my English really lacks the syllables that are needed for such a fine set of images, so I'll stoop to the local phrase of mine; " They are nice."

 

[Rob MacKillop]

That will do, Ivar. Thank you.

 

[Pete Askew]

No there's a fine set and I especially like the first two. Is that crazy string?!

 

[Rob MacKillop]

Yes, don't know how it got there, quite high too. Thanks, Pete.