FRAZIERS SLIP

[Julian de'Courcy]

Although very colourful this morning , barely a cloud in the sky and some of the warmest weather this year, the B+W conversion to Frazier's Slip seemed to suit this one.


Sigma Dp 1 Merrill.

FRAZIER'S SLIP by Julian de Courcy, on Flickr

 

[Rob MacKillop]

What a load of bollocks...

Lots of odd shapes and angles here, Julian, held together by that rope. I agree that the b&w toning looks good here.

 

[Brian Moore]

I like the B&W treatment also, Julian. It's a nicely composed jumble of stuff, too.

 

[Julian de'Courcy]

What a load of bollocks...

Lots of odd shapes and angles here, Julian, held together by that rope. I agree that the b&w toning looks good here.

You'll need those size bollocks soon Rob. Thank you sir,

 

[Julian de'Courcy]

I like the B&W treatment also, Julian. It's a nicely composed jumble of stuff, too.

I like that Brian, 'Jumble of Stuff' Thank you sir.

 

[Rob MacKillop]

We have plenty of bollocks in Scotland, thank you

 

[Julian de'Courcy]

We have plenty of bollocks in Scotland, thank you

Testosterone filled ones by all accounts.

 

[Paul Lange]

And in Scotland they are so hard they really do through them over the sides of boats to stop the hull grating against the dockside. Apparently a great honour and if they do it enough they turn into sporrans. The pansies just buy their sporrans from shops.

Not sure where that came from.... nice photo Julian.

 

[Julian de'Courcy]

And in Scotland they are so hard they really do through them over the sides of boats to stop the hull grating against the dockside. Apparently a great honour and if they do it enough they turn into sporrans. The pansies just buy their sporrans from shops.

Not sure where that came from.... nice photo Julian.

You mean those things under their dresses

 

[Pete Askew]

I really like the angle and tones of this Julian. And all those lines work so well, especially in relation to the floats.

 

[Julian de'Courcy]

I really like the angle and tones of this Julian. And all those lines work so well, especially in relation to the floats.

Thank you Pete. I did later come across one I had taken which i preferred. Two figures but I think it pulls the whole thing together.

FRAZIER'S SLIP by Julian de Courcy, on Flickr

 

[Pete Askew]

I agree. Their presence and placement work perfectly.