Critique Welcomed Harmon Phoenix Film

[Charlotte Ortelli]

I really love this photo specifically, the contrast and grain are beautiful. It reminds me of some photos taken with some expired (but cold stored) film I saw years ago on Lomographys website, I can't recall for the life of me.

Phoenix sounds like a fickle film, but the rendition of blues are really appealing to my eye

 

[Julian Tanase]

One of the best results I have seen, of this film. I especially like the first one and the one with the furniture. Really enjoyed !

 

[Rob MacKillop]

I have a roll of it my Pentax 17, a half-frame camera giving 72 shots. I wish I hadn’t put it in, as 72 shots is taking an age to get through. I’m a 90% b&w shooter, and find it hard to get inspired by colour situations, so regret having bought it out of curiosity. But I must say, these shots by both Paul and Brian get some interesting results. I feel the need to push on, but Edinburgh looks more grey than ever at the moment. Fingers crossed.

 

[Brian Moore]

I really love this photo specifically, the contrast and grain are beautiful. It reminds me of some photos taken with some expired (but cold stored) film I saw years ago on Lomographys website, I can't recall for the life of me.

Phoenix sounds like a fickle film, but the rendition of blues are really appealing to my eye

Thank you, Charlotte. Much appreciated.

 

[Brian Moore]

One of the best results I have seen, of this film. I especially like the first one and the one with the furniture. Really enjoyed !

Thanks a lot, Julian. Appreciated.

 

[Brian Moore]

The color shifts seem unpredictable ... I would prefer for the unpredictability to be on the outside of the camera ... not the inside. (That being said, the sepia toned photos resulting from shooting into the light source ... are wonderful.)

Thank you. I agree with what you said about the location of the unpredictability. It would be my preference also.