Interesting Realizations About X100

Larry Bolch

Well-Known Member
Since the X100 is in essence a full-time LiveView camera, it must use contrast detection rather than the phase detection focusing used by dSLRs. There has been a good bit of criticism across the InterWebs about its ability to focus in low light.

A group to which I belong, was having its annual summer cook-out last Saturday. We were surrounded by a grove of trees, so after sunset there was the glow of the sky directly overhead, and the light from the fire from ground level. By 20 minutes after sunset, the camera was pretty much at the limit of its focusing ability.

The last image I shot was at 1/5th of a second ISO3200 at f/2.8, and while the sky looks bright in the background, we were into night. I was shooting off a monopod, which I braced against my chair to eliminate camera movement. However, 1/5th was not fast enough to eliminate subject movement, and all shots in that time period showed some. This was the final X100 shot of the day, and even though subject motion was minimal, it was certainly there.

DSCF2195b.jpg


This tells me that in practical terms, if you can hope for a reasonably unblurred image due to motion—the camera can focus. There is a rule of thumb based upon 35mm lens coverage, that the minimum shutter speed for hand-holding should be 1/focal-length or above. This would mean that a very steady hand, should be able to work at 1/30th. I was at least 2.0-3.0EV beyond the point where I could hand-hold it.

I continued to shoot for the next hour or so with the D700—still using the well braced monopod—but even at ISO12,800 with f/1.8 primes subject motion blur reduced keepers to a very limited percentage.

The joy of the X100 is that it is small, mobile and does not require one to carry a bag full of lenses and accessories. When walking out, I would not think of packing a tripod. In spite of using the monopod the other night, it is all about hand-holding. So in practical terms, if you can successfully hand hold it when photographing non-posing people, it focuses just fine. If I am going to photograph fireworks, lightning or night-scapes that require long exposures, that is the domain of the D700 and its arsenal of lenses—not the X100.

I began shooting about 6:00pm, and at that time the sun was being filtered through the leaves creating a dappled effect. The spots exposed by direct sun were many EV brighter than the overall level of light. With the D700, I have been setting the background layer to capture as much detail in these highlights as possible, then doing a second layer for the overall ambient light, letting the highlights blow out totally. Once layered, I select the highlights and use them to make a layer mask. A tweak of the levels control blends them nicely by boosting the mid-tones, still retaining highlight detail.

No such finesse was required with the X100. With its between-the-lens leaf shutter, it can synchronize fill flash up to 1/2000th of a second. I set the ratio to -2/3EV and it fully retained the look of ambient light, but smoothed out the difference between the dappled highlights and the overall level of light, so layering is not needed. With the flash being extremely close to the optical axis there is no perceptible secondary shadow, and it is almost impossible to tell that fill-flash was used.
 
Interesting stuff Larry, i was looking at the bit about the flash on dp review
http://www.dpreview.com/reviews/fujifilmx100/page17.asp
It seems odd that they didnt feel the need to point out the lack of shadow ... its also interesting that despite the flash being so close to the lens they seem to be saying there is no issue with red eye? have you found that?

I also cat quite get my head around this ...

We took the above test shot at ISO 400 with automatic ISO control turned off, but it's worth knowing that if you turn on the flash when Auto ISO is enabled, the camera will meter and set its exposure (including sensitivity) based purely on the ambient lighting, and without considering the flash, until it reaches a light level so low that it has to start dropping the shutter speed below the minimum set in the Auto ISO program to achieve correct exposure. Only at this point will it use the flash as the main light source, rather than simply as fill.

Im sure it will become quite clear when mine arives, but my interest in how well the flash works has somewhat piqued since your post ...
Have you found the mentioned lack of power an issue?
 
Interesting stuff Larry, i was looking at the bit about the flash on dp review
http://www.dpreview.com/reviews/fujifilmx100/page17.asp
It seems odd that they didnt feel the need to point out the lack of shadow ... its also interesting that despite the flash being so close to the lens they seem to be saying there is no issue with red eye? have you found that?

I read the review and was left wondering what camera they were reviewing. I suspect that little or no time was taken with the manual, or even understanding that the X100 is really the first of its kind. If your head is primarily into dSLRs, (including the newer mirrorless cameras) the X100 fails miserably in trying to be one. On the other hand, if you see it as compact and therefore a P&S, it also fails since it expects the user to both understand photography basics and be able to learn to operate a specific camera. There are no training wheels—even an experienced photographer DOES need to go through the manual.

It is hopeless as a dSLR, and much too complex as a P&S, so it fails review after review. As a descendant of the high-quality compact rangefinders that so many working photographers carried when off the job, it succeeds brilliantly.

I also cat quite get my head around this ...


Im sure it will become quite clear when mine arives, but my interest in how well the flash works has somewhat piqued since your post ...

Obviously your software does not allow nested quotes. Auto-ISO is well implemented on the X100, and flash gives you three options when shooting RAW with aperture priority. If you use auto-ISO, it will be completely familiar. In very bright light, the shutter speed will be well above the baseline you set. As the light drops to the point that the shutter speed hits the baseline and beyond, ISO rises to provide the sensitivity you need until it reaches the limit you set. Once that limit is hit, shutter speed begins to drop once more.

The X100 gives you the choice of flash Off, Forced and Slow. If you set it to Forced, when the shutter speed drops to 1/30th of a second, it will drop no lower. This is about the slowest shutter speed at which one can reliably hand-hold a 35mm equivalent lens, so it helps provide some protection against camera and subject movement. When you have used up all available ISO and aperture, with the shutter stuck on 1/30th and you are moving into under-exposure territory, the flash will continue to work as usual and save you.

Slow removes the restriction, so shots seconds long can be shot with fill flash—of course, you need a steady support and static subjects or blur will be profound. Fuji calls it "SuperIntelligent Flash", which made me gag, but with the experience I have had, they may not be wallowing in buzzwords.

It does have quite effective red-eye reduction, and of course, so does every image processing program. The fact that it is so close to the optical axis makes it great for fill flash, but when used as the primary source of light with the Forced setting with the environment below the threshold of full exposure, it is really, really ugly light. Fuji does have a couple of external units with full bounce capability to get around this.

Have you found the mentioned lack of power an issue?

No. Considering that I am shooting with a semi-wide lens, it easily reaches the farthest person in any group I would be photographing. At -1/3 to -2/3EV, it provides rich illumination, while balancing easily with ambient light, not overpowering it. This scene was lit by the heavily dappled light of sunlight coming through trees. It took some real effort and use of layers to get decent looking results with the D700. The X100 flash simply removed the problem, only requiring normal RAW processing.

fill.jpg


On close examination, you may be able to spot the tiny secondary shadows, but you have to look for them. The dappled highlights are preserved, but they are fully detailed. There is no visible fall-off over distance, and the people are perfectly balanced with the background. In all, the subjects will be perfectly happy with the shot when I post it to their group in Facebook.
 
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