Lens Calibration to Camera

Chris Dodkin

West Coast Correspondent
It was a rainy day here yesterday, so I took the opportunity to spend an hour or so, calibrating my lenses to my camera.

This is a relatively recent feature on DSLRs, available on the Canon 1DIII, 1DIV, 1DsMkIII, 5DII, 50D, 7D, Nikon D3, D3x, D300, D700, Sony A900, Pentax K20 - may be others as well...

The idea here is to micro-adjust the focus of each lens on your particular camera, to ensure it is as sharp as it can be when using the camera AF system.

What you need:

  • A moire pattern image as a target
  • A laptop or LCD screen to display it on (printouts don't work)
  • A tape measure to ensure you are at the correct distance from the target
  • A tripod for your camera
  • Your lenses
  • A chair to sit on whilst you go through the calibration process!

The set-up:

I used the hallway at home, with the laptop displaying the moire pattern image placed at one end, and the camera on tripod placed down the hall at the correct distance for each lens.

The moire image was downloaded from this website - http://www.northlight-images.co.uk/article_pages/cameras/1ds3_af_micoadjustment.html

I put the laptop on top of a couple of ottomans, to get it at a decent height - set the screen brightness to max - centered the moire image on the screen at 100% size.

I placed the tape measure on the floor, so I could quickly see the distance from the laptop screen.

I set my tripod at a height so that the lenses were at the same height as the center of the laptop screen.

The Technique:

More than one way to do this, I used this method...

Place camera and lens at a minimum distance of 50 x focal length from laptop screen
Line up camera so target image is in in the middle of the screen
Switch AF to use single center AF point only

  • Manually set focus to infinity
  • Press shutter half way to allow AF to focus on laptop screen
  • Engage Live View mode
  • Use zoom feature to view moire pattern at x10
  • Manually adjust focus ring slightly to see if any adjustment provides more moire detail
  • If it does - then micro-adjustment is needed - front or back focus adjust
  • Set micro adjust on camera
  • Set lens back to infinity focus manually
  • Switch off Live View

REPEAT until adjusted focus provides max moire resolution when AF is used




By putting the lens to infinity focus at the start of each test loop, you get a higher accuracy on the whole calibration.

Takes a while to get used to how it works - but the moire pattern is a very clever way of checking for max sharpness in focussing.

When you have you calibration dialed-in do a few extra checks around the testing loop to be sure.

Note: with a zoom lens, always use the longest focal length to calibrate.

You'll need to move the camera/lens for each lens you test - depending on focal length.

You'll need a lot of space to test anything over 200mm!!!!!

I had to adjust every one of my lenses to some degree - some only 1 step, the worst 5 steps out of a possible 20.

Those adjustments are stored in camera for each specific lens - so you do it once, and you're good to go.

Worth doing - just be sure you set everything up carefully, and give yourself time to do it properly.

Now, I need to figure out where I can test my 300mm and 600mm lenses :confused:
 
i have heard about this but am scared so i wont bother...........haha
 
I did some lens calibration with my 5DMKII a few months after to got it. I used a different technique though. I shot a test page that had scales on it at a 45 degree angle and made adjustments to get the sharpest part of he image at the same distance as the focus point. While the calibration improved my focus on the test paper my real world images seemed softer.

Keep in mind that all my lenses are zooms (Canon 17-35 f2.8L, 28-70 f2.8L and 70-200 f4 IS L).

But then I read that calibration of a zoom lens is much more complicated because of the various focal length the lens is capable off. Rereading my camera manual, I also noted that the need calibration is supposedly not common. So I reset all my lenses back to default and have been happy every since.

Is the need for calibration common?
Is calibration more complicated for zoom lenses?
Does the technique given here make a difference, especially for zoom lenses?

Thanks,
Ralph
 
I'll let you know when I do some real world testing this weekend!
 
I think my 450D and 400mm may need calibrating but I'll have to send it off to be done. Quite often I auto focus on a bird and it is a little soft but the ground in front of the bird is sharp.
When I get the chance to test it properly I will and find out if it does need doing or it's just me being a pillock...
 
send me you lens glen & i will have a play with it for a month or two this way you and i can see if its you setup that need calibrating or "your just being a pillock" ............... o and i can have some fun...............lol
 
Well - first tests appear to be very positive :)

web.jpg


web.jpg
 
These images do look sharp. Just wondering --

At what focal length did you calibrate the lens (I'm assuming the 28-70 f2.8 L here)?
And how does that compare to the focal length used for these shots?
 
So shot #1 was the 15mm, and shot #2 was the 28-70 - both lenses had been calibrated using the above technique.

I calibrated the 28-70 at 70mm, as per the recommendations from Canon (and others) - and image #2 was shot at 50mm, but at f22 so you'd hope to have some significant sharpness and DOF.

I need to do some shots at more critical apertures I think - and see how they look.
 
Well they sure look good.

What about diffraction at high f stops. I've read that f22 is so small an aperture that there is some diffractions happening that introduces softness. Don't see it in your photos. Heck, when I'm shooting close ups of wildflowers I often use f22 to maintain the greatest depth of field. So I guess I've never seen it in my photos either. But then what do I know?
 
I've read about diffraction, and I'm thinking that it may be the cause of the halo around the neon at f22.

Not sure that the softness really shows itself on the 35mm format we use, but hey, I'm always open to suggestions to improve image quality!

I'm tempted to shot at f8 all the time as this gives the max resolution on most lenses - according to the charts...
 
Re: Diffraction:
Next time I'm shooting something where DOF is critical I try shots at f22 as wel as around f11 or 9 to see if I can pick out problems with softness caused by diffraction. In the meantime I've posted an older flower photo in the Flowers area that was shot at f20.

Re: I'll be waiting for more shots with the calibrated lens. I might have to take another look at this with my kit.
 
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