Morning Light

[Rob MacKillop]

Konica Hexar AF, Fuji Sensia 400, Nik Silver​

 

[Dan Cattermole]

Creepy creepy creepy..... But me likey!!

You are the new Konica King!

 

[Rob MacKillop]

And don't you forget it!

 

[Pete Askew]

Wonderful Rob. Inspired by Ahmad?

King Kon?!

 

[Rob MacKillop]

I think it's too busy for one of Ahmad's, Pete...

 

[Ahmad Bhai]

Far too much going on ...

 

[Beth Carter]

nice one rob.

 

[Pete Askew]

Far too much going on ...

I think Rob needs to learn to embrace his inner darkness more, don't you?!

 

[Julian de'Courcy]

Cracking image Rob. Love it

 

[Rob MacKillop]

Thanks, guys.

 

[Glenn Clabo]

Oh the darkness...love it.

 

[Brian Moore]

Wonderful image, Rob.

 

[Pete Askew]

How long did you have to stay in The Cupboard this time Rob?!

 

[Brian Moore]

How long did you have to stay in the cupboard this time Rob?!

I think he came out a while back, Pete.

 

[Rob MacKillop]

You guys!

 

[Chris Dodkin]

Can't believe you slept with the Konica, but props on getting the shot first thing in the morning!

 

[Rob MacKillop]

Erm, yeah....that's what happened...

 

[Ahmad Bhai]

I think Rob needs to learn to embrace his inner darkness more, don't you?!

It is easy enough to take dark photos, simple photos.

Perhaps not as easy is to sit for hours, sinking into the darkness which after a while seems to be all we are,
or hours stare into simple desolateness, as it is at that moment all we are
then somehow gather ourselves take a photo
then be able to walk away.

In those moments i would recommend stay away from certain precarious places

 

[Rob MacKillop]

You've misread it, Ahmad. It's not about the dark. It's about light.

 

[Ivar Dahl-Larsen]

Eminent work there in black and white. I'm just waiting to see what appears when the door opens more. A great one.