Pete Askew
Admin
I'm am sure that @Rob MacKillop will be interested. Oh, and welcome to RPF, Muuray.
My Next Guitar
- Thread starter Rob MacKillop
- Start date
Murray Leshner
Member
If I think about counting guitars, I think I could count them on one hand...except when I start thinking about partial guitars. Parts probably don't count for counting.
But if I think about counting cameras...impossible. I don't even know where they all are.
I used to have a vague idea which cameras I have more than one of.
I don't like to think about it.
Thank you for the welcome.
But if I think about counting cameras...impossible. I don't even know where they all are.
I used to have a vague idea which cameras I have more than one of.
I don't like to think about it.
Thank you for the welcome.
Murray Leshner
Member
Uh-oh...this is one of those forums with trophies, but at least it does it's own accounting.
I forgot, in my last post, there is also the associated topic of 'how many lenses? ...also complicated by the difficulties with fractions.
I just noticed Rob's post was in 2015. I...
I forgot, in my last post, there is also the associated topic of 'how many lenses? ...also complicated by the difficulties with fractions.
I just noticed Rob's post was in 2015. I...
Brian Moore
Moderator
The recent influx of new members responding to some very old posts has provided us to see these old posts again and in a couple of cases I've seen responses that I had missed first time around. (eg,..Pete's wonderful posing of the Adult Fungas Gnat portrait.) So it's all good!
Murray Leshner
Member
Maybe it has a longer history, but I found (working backwards), several references to guitars called 'After Legnani'. C.F. Martin apprenticed with Johann Georg Stauffer in Vienna. Both of them made guitars with the fingerboard tapering at the sound hole. Not all 'After Legnani' or 'Legnani Model' instruments have the fingerboard taper at the soundhole.
Here is a modern-built mid-late 19th c. style Legnani
I read there were two Legnani's a few decades apart. One was a guitarist, well-enough known to undoubtedly have been a guitarist, but not known to have been a luthier. The other was a violin-maker, with no known signed guitars. I have lost track of where I found these 'certain uncertainties', but there appears to be uncertainty about who actually built the Legnani guitar referred to in later builds as 'After Legnani'.
I don't remember if the Stauffer build or the Martin build had the fingerboard floating above the guitar top. My no-name student guitar has it firmly glued right to the top. Stauffer, IIRC, made an innovative adjustable neck long before Taylor, so that may have been one reason for the floating fingerboard.
Some guitars with that tapered fingerboard had an asymmetrical headstock that I believe must have been inspiration for both Leo Fender's Strat and Merle Travis' sketch handed Paul Bigsby as a 'design' for a custom guitar. But some Americans seem to have naively declared both of these modern guitar designs to be spontaneously inspired. If you look at Balkan domra and tambura/tamburitzas there are scrolled headstocks with the asymmetrical sideways scroll. I read somewhere Leo Fender had a childhood friend who was from one of the Yugoslavian regions where this style instrument was common. Hmmm...did he see one of those folk instruments?
But most European-originated string instruments have older heritage dating back many more centuries to Persia and nearby.
I lost interest at that point. But I learned that the German musical instrument industry in and around Markneukirchen seems to have inspired the German camera industry...subcontractor companies made components they were good at, and another put together the final product. Many of the components had no names. That's not true of German complete cameras or shutters, just the non-machinery components. Different trade unions/guilds?
One of the most interesting (to me) discontinuous continuities (or continuous discontinuities?) in string instruments is the heritage connecting Appalachian Hammered Dulcimers with the Hungarian Cimbalom ('invented' in 1874, but associated with the older psaltery and kannun/qanun. http://www.cimbalom.ca/cimbalom_history.aspx
Here is a modern-built mid-late 19th c. style Legnani
I read there were two Legnani's a few decades apart. One was a guitarist, well-enough known to undoubtedly have been a guitarist, but not known to have been a luthier. The other was a violin-maker, with no known signed guitars. I have lost track of where I found these 'certain uncertainties', but there appears to be uncertainty about who actually built the Legnani guitar referred to in later builds as 'After Legnani'.
I don't remember if the Stauffer build or the Martin build had the fingerboard floating above the guitar top. My no-name student guitar has it firmly glued right to the top. Stauffer, IIRC, made an innovative adjustable neck long before Taylor, so that may have been one reason for the floating fingerboard.
Some guitars with that tapered fingerboard had an asymmetrical headstock that I believe must have been inspiration for both Leo Fender's Strat and Merle Travis' sketch handed Paul Bigsby as a 'design' for a custom guitar. But some Americans seem to have naively declared both of these modern guitar designs to be spontaneously inspired. If you look at Balkan domra and tambura/tamburitzas there are scrolled headstocks with the asymmetrical sideways scroll. I read somewhere Leo Fender had a childhood friend who was from one of the Yugoslavian regions where this style instrument was common. Hmmm...did he see one of those folk instruments?
But most European-originated string instruments have older heritage dating back many more centuries to Persia and nearby.
I lost interest at that point. But I learned that the German musical instrument industry in and around Markneukirchen seems to have inspired the German camera industry...subcontractor companies made components they were good at, and another put together the final product. Many of the components had no names. That's not true of German complete cameras or shutters, just the non-machinery components. Different trade unions/guilds?
One of the most interesting (to me) discontinuous continuities (or continuous discontinuities?) in string instruments is the heritage connecting Appalachian Hammered Dulcimers with the Hungarian Cimbalom ('invented' in 1874, but associated with the older psaltery and kannun/qanun. http://www.cimbalom.ca/cimbalom_history.aspx
Pete Askew
Admin
Interesting link through to camera manufacture there, Murray. I know nothing about the history of guitar making, but I'm sure that @Rob MacKillop does - where is he when you want him?
Murray Leshner
Member
He tired of awaiting responses to a 2015 post?
Murray Leshner
Member
It is surely the same Rob McKillop I read references to the other day, reading about 'Charlie Christian pickups' from the 1930's and modern renditions of them.
Rob MacKillop
Edinburgh Correspondent
Guilty as charged! Do you play?
Edit: Sorry, I didn't see th previous posts.
Edit: Sorry, I didn't see th previous posts.
Ivar Dahl-Larsen
Well-Known Member
I like the colours and it's shapeA ten-string classical by Michael Gee. I'll have to wait a year for it....wich will give me time to save up. Photo by Michael Gee.
Ivar Dahl-Larsen
Well-Known Member
Very, very good. Really liked this.
