Critique Welcomed The Old Man And The Seat

[Brian Moore]

(Street I think.)

Olympus XA3 and Rite Aid 400 converted to redscale.

(Took this shot months ago, but when I saw it anew this evening it reminded me of one of @Rob MacKillop's recent Hexar images and that inspired me to post it.)

 

[Pete Askew]

Aha, from your Gerhard Richter period! Very nice.

Isn't that thingy?!

 

[Brian Moore]

No Pete, this may seem like its from my Gerhard Richter period, but it technically falls outside of that period by a year or two. (I know it can be difficult to discern these things sometimes, and I must say that despite your error you are really doing quite a nice job of near-identification.)

I'll post one that's actually from my Gerhard Richter period in a few minutes.

"Thingy...?"

 

[Rob MacKillop]

Ah, another lobotomy job! And a fine one too. I sense a Theme coming on

 

[Brian Moore]

Ah, another lobotomy job! And a fine one too. I sense a Theme coming on

lol. That's right, Rob. In your lobotomy fotie you remarked that you liked the fotie despite the lobotomized individual. I had the same feeling about this fellow.

 

[Pete Askew]

"Thingy...?"

Yes, you know, oojamaflip. The bloke that was in whatchamacallit!

 

[Rob MacKillop]

Forest Gump?

 

[Brian Moore]

Yes, you know, oojamaflip. The bloke that was in whatchamacallit!

Oh,...OK, Pete.

 

[Ivar Dahl-Larsen]

Well, I did not see the forest for all the trees.