Critique Welcomed The Vincent Thomas Bridge

[Brian Moore]

From under it on the Terminal Island side, during late afternoon toward sunset. You are looking toward the West.

Olympus XA3 and Rite Aid 400 film converted to redscale. Shot 2 stops over-exposed.

 

[Glenn Clabo]

Nice Brian. You are getting this rescale thing down.

 

[Dan Cattermole]

Yes! Brilliant! Love the glow from the bridge. I've not been a fan of red scale photog, and now I only blame you for becoming a fan.

 

[Brian Moore]

Nice Brian. You are getting this rescale thing down.

Thanks, Glenn but not really getting it down. I feel that a good one is luck. But thanks anyway.

 

[Brian Moore]

Yes! Brilliant! Love the glow from the bridge. I've not been a fan of red scale photog, and now I only blame you for becoming a fan.

lol! Thanks, Dan. (Can't wait to see some of your own redscale stuff!)

 

[Rob MacKillop]

Love this one, Brian. Beautifully smooth all round.

 

[Julian de'Courcy]

A good bit of silhouette and not, good balance. Like it.

 

[Brian Moore]

Love this one, Brian. Beautifully smooth all round.

Thanks a lot, Rob. Much appreciated.

 

[Brian Moore]

A good bit of silhouette and not, good balance. Like it.

Thanks very much Julian.

 

[Beth Carter]

very nice, the redscale adds a lot.

 

[Brian Moore]

very nice, the redscale adds a lot.

Thanks, Beth. Much obliged.

 

[Chris Dodkin]

I was admiring this on Flickr - love the way you positioned the sun, captured that 'heat', and used the bridge

 

[Brian Moore]

I was admiring this on Flickr - love the way you positioned the sun, captured that 'heat', and used the bridge

Much appreciated, Chris.

 

[Pete Askew]

Brilliantly done Brian and it exploits the character of the red-scale effect so well. As Chris implies, you can feel the heat!

 

[Brian Moore]

Brilliantly done Brian and it exploits the character if the red-scale effect so well. As Chris implies, you can feel the heat!

Thank you, Pete. Much appreciated.