What wonderful portraits, Brian. And quite a different feel to them both. I love the hint of movement in the first (and that knowing look - in that she knows you are taking her picture but is pretending not to: the collusion works) and the absolute stillness in the second - it almost looks like a still from some 30's crime drama. Wonderful.
What wonderful portraits, Brian. And quite a different feel to them both. I love the hint of movement in the first (and that knowing look - in that she knows you are taking her picture but is pretending not to: the collusion works) and the absolute stillness in the second - it almost looks like a still from some 30's crime drama. Wonderful.
Thanks Pete. You're spot on in your assessment of the first and your comment on the 2nd echoes a remark @Rob MacKillop made when he first saw the image on Facebook. Much appreciated Pete.