Article: Eumig C3M (1961)

Chris Dodkin

West Coast Correspondent
More vintage camera p0rn

The man from DHL finally arrived yesterday, and delivered not one, but TWO Eumig C3M cameras to my doorstep from Blighty :cool:

Didn't get back from work until late, so I haven't had time to clean and photograph them yet, but I did discover this gem folded in with the destruction manuals - the original product flyer from the late 50s / early 60s.

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The 'camera of tomorrow today' is a great tag line - you can see how the design has moved on from the C3R I posted earlier, keeping the same basic box, but adding more plastic moulded parts to form an integrated lens turret, and a quick-release pistol grip with trigger.

The viewfinder is still non-reflex, but is now large and bright compared to the C3R, thanks to a dedicated viewfinder lens (top left) - the field of view issues are addressed with a translucent matt that pops into the viewfinder as you rotate-in each lens, showing you the field of view for that lens.

The ISO has been bumped from a max of 50 to 100, and the lens system now has a single master focus for all lenses as a dial on the side of the lens turret.

As you can see, the camera was over £80 when new, the leather case was an additional £11, and the Matte Box Set (which I have) was another £4.

So basically £100 with some film to get you started - probably equivalent to £1000 today!

I will be posting photos shortly - then testing the cameras after cleaning, before shooting some 8mm film :p
 
Wow!! Let's see what this baby can do.... Lol
 
Ok chaps and chapesses - here we go - a few retro shots from today of my Eumig C3M cameras (28-70mm f2.8L on 'macro')

I had to go over them with lots of cleaning wipes, and a ton of elbow grease - 50 years of sweat and grime takes some shifting!

Underneath, they are both in remarkable physical condition - each has the odd nick and scratch, but so do I, and I'm younger than they are! LOL

Mechanically, I had to do some work on one camera to get the winding indicator mech to work, but that's all sorted now. Springs are good, both run smooth, and the light meters are working (not tested against a meter yet).

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Next I'll clean the interior and film gate - then it's time for loading the film :) :)
 
Can't wait Chris!

This video might interest you - it is either shot in 8mm cine or cleverly simulates it.

Better still, not only does it feature a lovely Bob Dylan song it also stars Scarlett Johansson! :D

Perhaps you could give Scarlett a ring and see if she could come over and star in YOUR film?

http://www.youtube.com/watch?v=CEoGqUqy-0w

[video=youtube;CEoGqUqy-0w]http://www.youtube.com/watch?v=CEoGqUqy-0w[/video]
 
I'll give her a bell Tim - was going to meet her for a beer on Friday, but I'll call now to see how she's fixed... ;)
 
ooooooohhhhhhhhh, they do look lovely Chris. I want one, have no idea what I would do with it but just love old technology. It just seems to have more of a tactile feel to it than modern gear.

Is this post about the cameras, or Scarlett?
 
I broke out my 100mm Macro lens, and took a few more shots showing the detail and engineering of the camera.

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Eumigon Lens Hood

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Film Speed Setting and 'Magic Eye'

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Focus Dial

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Manual Aperture Adjustment

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Clockwork Winder Detail

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Internal Film Mechanism
 
Pete - it was a tea towel actually! LMAO!

Yep, soon as I pulled that shot up in PS I knew I was going to get some sh!t for not cleaning it properly :)
 
Busted - that's what dishwashers are for! :) :)
 
Leave the cap off your DSLR and clean the sensor too!
 
Meanwhile, back with the Eumig(s) - Light meters on both cameras appear to be working and accurate compared to my Sekonic.

Film track is cleaned, and the first roll of ISO50 is loaded - Lights, Camera, Action!

Man, winding that film onto the spool took me back, haven't done that in a few decades!

Now, what to go shoot....
 
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