Nice one!
I like the composition with the train and the station - very nice
The driver leaning out makes it special
Thanks, Chris. You can't pre-plan anything about how the driver's going to look, but I've always enjoyed taking and looking at shots like this. To make the most of them, it's always best to be on the opposite platform to the one where the train is - you get full view of the wheels and you can get the tracks to lead you into the shot. I used to do a lot of railway photography as a kid with my old Cosina CT1A and I've got hundreds of slides up in the loft of trains in England during the early 1980s (lol).
And before you start tarring me with all that stereotypical trainspotter nonsense (i.e. no girlfriend, spotty, ugly, fat) can I just tell you that it's all true!
Back to the pic - I always like the train to be somehow framed by its surroundings - when I was a kid I was a darling for taking the thing too early and even when I was taking this, I remembered my old mate John Cookson (he had a Fujica STX1) and his legendary catchphrase looking at my photos: "You could have let it come a bit further!"
A lovely capture is when the sun is high and the tops of the rails are glinting - take an oncoming train from quite a front-on angle with the zoom large as you can muster - gives a great feeling of power as the sleepers get compressed together and the natural wiggles in the track become quite exaggerated - enhanced of course, by the reflection from the tops.
I've never been keen on what we used to call three-quarter shots (front end and one side) of a locomotive taken with zoom because the distortion at that angle never works for me. However, from the front and above (especially if you can get the trailing carriages going round a curve) telephoto/zoom pictures can be quite spectacular.
Sorry for dribbling on. I'll leave it, now!
