Chris Dodkin
West Coast Correspondent
Having read the Ming Thein blog http://www.realphotographersforum.com/general-discussion/6787-street-photography-%96-ethics-photographing-random-strangers.html#post57489 on the ethics and techniques of stealth street photography, I figured I'd give it a shot today.
The idea is to go in undercover, get in close with a wide lens, and shoot without looking through the viewfinder, using wide apertures.
I used the 18mm lens on the X-Pro1, and set f/2.8 and the central AF point - all confirmation beeps and shutter noises were turned down/off to keep things quiet.
Holding the camera at waist level in both hands - I found I could pause and appear to study my surroundings, whilst actually composing and shooting the shot. (Landscape format)
No one had any idea that a shot was being taken, and I could move freely around an area, snapping away.
You have to visualize where the AF zone will land - and adjust accordingly - or you could go MF and zone focus.
I used Auto ISO to keep things moving along when going from bright outside lighting to dark inside lighting.
The 2nd method was to hold the camera in one hand, vertically, shooting below waist level from my side in portrait orientation.
This method was extremely stealthy, but also harder to judge the comp and focus, as you weren't necessarily looking in the direction the camera was pointing.
All in all a successful first outing, no one noticed a thing, and no one got punched/arrested
The idea is to go in undercover, get in close with a wide lens, and shoot without looking through the viewfinder, using wide apertures.
I used the 18mm lens on the X-Pro1, and set f/2.8 and the central AF point - all confirmation beeps and shutter noises were turned down/off to keep things quiet.
Holding the camera at waist level in both hands - I found I could pause and appear to study my surroundings, whilst actually composing and shooting the shot. (Landscape format)
No one had any idea that a shot was being taken, and I could move freely around an area, snapping away.
You have to visualize where the AF zone will land - and adjust accordingly - or you could go MF and zone focus.
I used Auto ISO to keep things moving along when going from bright outside lighting to dark inside lighting.
The 2nd method was to hold the camera in one hand, vertically, shooting below waist level from my side in portrait orientation.
This method was extremely stealthy, but also harder to judge the comp and focus, as you weren't necessarily looking in the direction the camera was pointing.
All in all a successful first outing, no one noticed a thing, and no one got punched/arrested