Chris, cheers yes they don't happen over night but for me a great deal of satisfaction, research etc to get some level of authenticity, as long as there is some I'm ok, some enthusiasts may pick holes in the like of the cafe shot as not being exact but effect is what I am looking for.
As for shooting all table top so I can get right down, sometimes use a 10.5 f2.8 fisheye close in usually at the widest aperture, sometimes a 50 f 1.8 again full open and sometimes a 300 macro from around 1m away that tends to pull the DOF in a bit, it is quite often a case of take and retake.
The hardest part is planning, I need a background so will go off with a set of shots in mind then it's back to the models and model sets to set up the perspective, I think getting that right is 75% of the shot.
Still got work to do on this but as an example of the shoot process it works
The SPV shot is great superb shadow and the road block in the distance, good work from your friend, we should perhaps share