Critique Welcomed Kinder Und Hund Im Schnee

[Brian Moore]

From my Gerhard Richter Period. (And I don't even speak German! )

 

[Rob MacKillop]

Richter, richt enough! Cracker, Brian. I really like it!

 

[Brian Moore]

Thanks Rob. I snapped this a couple of years ago with a Holga 120N. I may actually have posted it before. I inadvertently shot the entire role that day with the shutter set on Bulb. I'm surprised I got anything recognizable. That's my Meg and Sadie in the fotie, by the way.

 

[Rob MacKillop]

Yeah, I knew it was them - such a clear shot

 

[Pete Askew]

Now that sir is just plain brilliant. I love it.

 

[Brian Moore]

Now that sir is just plain brilliant. I love it.

Thanks, Pete. Obliged!

 

[Glenn Clabo]

Black and white Pointillism? Brillant!

 

[Brian Moore]

Black and white Pointillism? Brillant!

Thanks, Glenn. Much appreciated. (My Gerhard Richter Period just happened to overlap with my Pointillism Period.)

 

[Julian de'Courcy]

Yep love this photo a stunning image. Saw it on Flickr and must have missed this post so came looking for it. Why do we want all these fancy cameras? or maybe a Holga is

 

[Brian Moore]

Yep love this photo a stunning image. Saw it on Flickr and must have missed this post so came looking for it. Why do we want all these fancy cameras? or maybe a Holga is

Thank you very much, Julian!

 

[Chris Dodkin]

proves the point that the emotional draw trumps sharpness - very nice rediscovery Brian

 

[Brian Moore]

proves the point that the emotional draw trumps sharpness - very nice rediscovery Brian

That's a good way to put it, Chris. Thank you.