Leica M Family

No not a misspelling but a family of (mostly, M and M-fit bodies and lenses). Inspired by Hamish's photo of his Bessa family I decided it was about time to re-unite (or, in some cases introduce) my various M-fit range finders by taking them all to the same country!! At first I intended to do a 'group' shot as it were but that turned out to look like a dogs breakfast so, individual it was.

First up is the elder of the bunch, an early '80's M6 here seen modelling a tasteful Carl Zeiss Biogon 21 / f1:2.8 plus the Leica Universal Wide-Angle Viewfinder M that can accommodate lenses 16-28 mm (and one size up for each step when mounted on an M8) with manual parallax correction. The M6 has the classic mechanically operated, cloth shutter.

M-4.jpg


Next up is another M6 but this time one of the last produced in the late '80's. Again a cloth shutter but with the later more accurate range finder and TTL metering for flash as fitted to the M7. Here seen fitted with a Summarit M ASPH 28/1:2.8 and without a gaudy finder.

M-3.jpg


Following on is a Leica MP, again equipped with a cloth shutter and probably the most accurate range finder ever made by Leica. It's fitted with a Summilux M 35/1:1.4 and to the right can be seen an eyepiece magnifier (1.25) which is very useful when shooting with focal lengths of 75mm and longer.

M-10.jpg


On to the digital range for this season with have a M8 sporting a Zeiss Planar 50/f1:2...

M-2.jpg


...and accompanied by an M9 fitted with the legendary Noctilux M 50/ 1:1. Just look at the size of that aperture!!

M-5.jpg


Something a little lighter comes in the form of a Zeiss Ikon. This film camera is made under license by Cosina in Japan and can be seen to have a much wider range-finder base than their own Bessa series cameras. It is fitted here with a Zeiss Distagon 18/1:4 and matching view-finder.

M-1.jpg


Essential accessories this season include:

The interesting Elmarit-M 135/1:2.8 with range-finder magnifier.

M-6.jpg


A pair of lovely short telephotos (very this season!): Summilux-M 75/1:1.4 on the left and Summicron-M 90/1.2 of the right (complete with special modification to the lens hood courtesy of being dropped down some steps while fitted to a MP - both survived and no high heels were involved - honest!).

M-7.jpg


Next a brace of 'normal' focal length Nokton lenses by Voightländer: 35/1:1.2 on the left and 40/1:1.4 (single coated variant) on the right.

M-8.jpg


And finally, to accommodate those of us with the fuller figure, are a pair of wide angle lenses (again by Voightländer) with the Ultra-Wide Heliar 12/1:5.6 (range-finder coupled version with, the essential, viewfinder) on the left and the Ultron 28/1:1.9 on the right showing that even last years models can be brought up-to-date with an M-converter! (this is the only screw thread lens I use with any regularity on M bodies).

M-9.jpg


Not shown in this years catalogue are the Color Skopar 35/1:2.5 pancake lens currently on tour on a Bessa R and a Color Heliar 75/1:2.5 currently doing duty on a micro-4/3rds video camera via a lens mount adapter (both of course, like the 28mm Ultron, are Leica screw thread) along with a Voightländer 25/1:0.95 which, as Hamish correctly points out, is native micro-4/3rds.

And that, ladies and gentlemen - and Hamish! - brings today's show to a close! :)
 
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Drooool.... ;)

1:1 optics - don't see too many of those about!
 
Certainly don't. It took me about 6 years to find one and in the end it came from a collector vai Commercial Cameras - had never been mounted on a body: has now through!! )

I know the new one is 0.95 and Canon had a fast one but the granddaddy of them all is the Zeiss 1:0.7, built for Nassa to photograph the dark side of the moon and used, famoulsy, by Stanley Kubrick to film the candlelit scenes in Barry Lyndon. One sold this year for 90,000 Euros!! No good though, won't fit a normal stills camera, so I don't need to save up!! ;)
 
Very interesting Untitled Document

Nice rig Pete, I'd be lying if I said I wasn't vastly green eyed!
Do you still use the m8 now you have the m9

The ziess looks nice in black, I've only seen silver ones!

This is making me want to get my Epson fixed ... I think I'm going to have to get it sorted soon!
 
Some VERY impressive kit there pete. Especially those lenses!
Wow! I'm looking to get an OM 50 1.4 very soon, they sell relatively cheap for what they are. but that's got nothing on them beauties.
 
It is indeed Hamish, it's mounted on a m4/3 video camera (a Panasonic AG AF101 which we want to use to film some lab procedures and do some time-lapse with) and I use a Lecia screw to M bayonette then M bayonette to m4/3 to mount the 75mm f1:2.5 Heliar (there is a screw to m4/3 but they are fairly pricey for what they are and I mainly wanted to able to use M lenses). We have a Nikon adapter too which allows any F mount lens (including G series - it has a manual diaphragm ring on it as the aperture on the Nikon lenses, as you know, is mechanical: cf some Canon lenses) to be used which was one of the things that attracted me to the camera in the first place.
 
Nice selection Pete. I hope you mind me contaminating your post ?

I have a few olde M's but nothing with a meter.

I was a little upset earlier this summer when my M4-P snapped a shutter ribbon :mad:, this camera is 30 years old but is very low mileage, anyone know of a good repair man ?


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Thanks Hamish, I'd never read that before. The Zeiss archives say the lens was made for the dark side of the moon images mounted on a modified Hasselblad: I guess there was more than enough light on the lit side!

I do still use the M8 but I much prefer the M9. Having said that the viewfinder works very well on longer focal lengths because the framing is designed to reflect the smaller sensor. I usually keep that in the UK along with an M6 and a few lenses and the MP and older M6 in Germany. The M9 is my normal travel camera often with either the 35/1:1.4 or the 28/1:2.8 on. I used to always use the 35/1:1.2 but it is not so good on the M9 as on the film cameras. The new 35 Summilux was optimised for the M9 and it definitely shows and is probably currently my favourite lens.

I've built this little 'collection' (not really the right word as they are all used quite regularly) over the last 10 - 15 years. Some were purchased new but Paul at Commercial Cameras knows what I'm looking for and when he gets something of the right quality in, he lets me know. Often collectors sell to him and in many cases these have never even been used (I can't understand whay someone would buy brand new lenses and cameras, keep them for 20 years and then sell them for a fraction of what they paid, but I'm glad they do!).

And you should definitely get that RD1 fixed. Why-oh-why didn't Leica use a manual recock for their shutter!!
 
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Think I'm falling in love again............and like all lovers i can see I'm going to be broke again if I follow my heart and not my head :D
 
Oh those sad uneducated numpties.............mind you I get similar looks when I go out with my agfa super sillettte, now nowhere near as sumptuous a lover but a lover all the same...............
 
I don't know a repairer Dunga but I know that Paul at Commercial Cameras does - give him a call.

Thanks Pete, I shall ring in the next couple of days.

The only f0.95 lens that I have is old Canon one, mint condition complete with some filters and lens hood.

Here's a '81 photo taken with it - deep red - infra.


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Pete,

Sorry I should have clarified, the lens is canon f0.95 - deep red 72mm filter - kodak infrared film - home developed (souped )

This was scanned long ago (Epson 3170, I think ?) and I'm sure I could make a better job now, maybe ?
 
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