Brian Moore
Moderator
I posted this one a few years ago but the link was broken when I moved all my photos a few years ago. Thought I'd post it again.
August 18, 2012; Glasgow. A Saturday night.
We had caught the train in London and arrived at Glasgow Central Station at about 11pm. We were waiting in line for a taxi to my brother-in-law's flat when I turned around and saw, immediately behind me, the gentleman you see here. It was only a fleeting glance but I thought, I'd like to take a picture of this remarkable specimen, but I actually don't fancy a punch in the nose this evening.
The Olympus XA is not only a capable machine, it is also small and silent, and therefore a discreet machine.
So, having successfully perpetuated the ruse that I had merely surveyed the scene behind as if to quite innocently assess the length of the queue, I held the XA in my hands behind my back, pointed it upward, and snapped the picture you see here.
No photographers were harmed in the making of this photograph.
Olympus XA with Arista Premium 400 film processed in Rodinal.
August 18, 2012; Glasgow. A Saturday night.
We had caught the train in London and arrived at Glasgow Central Station at about 11pm. We were waiting in line for a taxi to my brother-in-law's flat when I turned around and saw, immediately behind me, the gentleman you see here. It was only a fleeting glance but I thought, I'd like to take a picture of this remarkable specimen, but I actually don't fancy a punch in the nose this evening.
The Olympus XA is not only a capable machine, it is also small and silent, and therefore a discreet machine.
So, having successfully perpetuated the ruse that I had merely surveyed the scene behind as if to quite innocently assess the length of the queue, I held the XA in my hands behind my back, pointed it upward, and snapped the picture you see here.
No photographers were harmed in the making of this photograph.
Olympus XA with Arista Premium 400 film processed in Rodinal.