Yashica Electro 35 GT

Chris Dodkin

West Coast Correspondent
It's month 3 of my 'year of film cameras' project - and this month it's the Yashica Electro 35.

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January was the Rollei 35 - http://www.realphotographersforum.com/film-conventional-cameras/9384-article-downsizing-again-rollei-35-a.html#post78392

February was the Werra 1A - http://www.realphotographersforum.com/film-conventional-cameras/9489-behind-iron-curtain-werra-1a.html#post79289

The Electro 35 is one of the most available rangefinders to buy used - there are dozens of them on EBAY at any time, probably because Yashica is said to have manufactured over 8,000,000 of them in their lifetime.

The Yashica is a 'full size' camera, very similar in dimensions to a modern Fuji X-Pro1 - with a fixed 45mm f/1.7 Lens and rangefinder focusing. Mine is the black GT model

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The lens is contrasty and sharp - a real gem in fact - and given the low low prices on these cameras, is a bit of a steal.

As was common during the 70s, the lens has 'idiot proof' markings for daylight, cloudy etc, as well as the more normal F stops - an attempt by camera manufacturers to simplify exposure.

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In the case of the Electro range, this is augmented with an under/over exposure indication - with lights on the top of the camera, and in the viewfinder - telling the user if the automatic shutter speed is too slow for handheld use, or out of range at the top end.

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So camera use is simplified, you set your aperture (and ISO), the camera sets shutter speed based on a very accurate electronic meter.

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This meter system was very successful, and appears in many other cameras from a range of manufacturers, including Minolta - just look for the 'Electron' logo on a camera, that's your clue.

This metering system drives a fully electronic shutter - which is very advanced for the time - allowing accurate exposures in low light of many tens of seconds or even minutes.

This use of 'modern' electronics does mean that the camera is completely dependent on battery power to function, no 'manual' use is possible - and the battery power is a potential issue on this era of camera, as the popular mercury cells from the 60s - 70s are no longer made - and modern sized equivalents are the wrong physical size.

There is a solution - a quick search on EBAY turned up a handy battery adapter for this camera for $15.

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This adapts the current 6v battery size to the old battery chamber design on the Electro.

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You could use tape and wedges of tin-foil to achieve the same result (I did this while I waited for the battery adapter) - but for long-term use the adapter is a great solution. There's a handy battery check button on the camera which also illuminates the frame counter on the camera.

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With the power side sorted, you load your film and set the ASA with the dial on the top plate - and you're ready to shoot.

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Film advance is smooth and fast, and the shutter release is smooth and quiet. There's a shutter lock to prevent accidental triggering, but no double exposure capability.

The focus patch in the viewfinder is a good size, and clear enough to allow accurate and fast focus using the rangefinder. With apertures going to f/1.7, you need accurate focus!

The camera/lens combo shoots very much like a modern camera - I was used to shooting aperture priority with my Fuji, so the Yashica fitted right in.

Narrow DOF was a welcome feature on this camera - and is often missing on 'budget' RF models.

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Stopping down you get nice sharp images, and exposure is accurate in a wide range of situations.

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As the light dims, the camera continues to expose accurately, and provides a stable platform with minimal cmera shake at low speeds (no mirror slap - no mirror!)

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I've had a lot of fun shooting with this camera - it's so much like shooting with the X-Pro1 that it just fits right in with my workflow and style.

It's been solid and reliable - and frankly is as cheap as chips to buy.

It comes highly recommended.
 
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I looked at one of these the other week and lost the bid on it.
Great looking retro beast, and great report.
 
Well-written and great foties, Chris.

To anyone interested in getting one of the Electro series, beware the Pod of Death.

There's a wee bushing thing inside that wears over time. Eventually the worn POD cause problems, like gobling up all the battery power overnight and other mean things. Its a DIY fix, but not simple.

However, even with a bad POD you can still shoot with the Electro as it reverts to 1/500 for every shot.

How to tell if a bad POD is causing meter/battery problems? When you wind the film on you should here a substantial "clunk" from within the camera midway through the wind direction travel of the wind lever.
 
Ah yes...the camera I bought on Ebay as perfect working order only to get one that does not in fact work. I'll buy another at some point.

Grant its possible that the seller had no idea that the camera was not functioning properly. Even without a battery the camera may still seem to be functional since the shutter will open/close. Thus, a POD problem is not intuitive.
 
Thanks chaps :)

Brian - that POD issue sounds a real pain - difficult to predict

Most people selling these have no battery adapter to test them, so they are usually listed 'as is' or 'untested'.

Much better general build quality than many of the cameras from that era - but I guess they all have potential issues.


I have a few more shots with the camera here: Yashica Electro 35 - a set on Flickr
 
Great post. I have a slightly different version of this Yashica camera, which I have owned since I was a youth. A nice camera which I will dig out (can't remeber exact model now.)
 
Grant,..does the shutter open and close? If so, put some 400 speed film in it and shoot sunny 16 style. Your shutter will be doing 1/500th and you can adjust your aperture for the lighting.
 
I am really interested in this thread about the Yashica 35 GT. This is the slightly different 35 CC that I have owned for more years than I care to remember, and it has produced some fine results. It was this camera and an Ilford Sportsman that started it all with me. I apologise for poor photos off phone.

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Stan I agree, the CC is a great camera - it's a 35mm lens so gives a wider field of view compared to the 45mm lens on the standard electro - and I really like that extra width when I'm shooting.

It also uses the current 6v batter style, so the adapter isn't required - much easier to get going.

Electronic shutter is the same set-up - rangefinder is brighter and sharper as it's a later model - you set ISO on the lens with a small lever rather than with the dial on the standard model.

It does have a slightly reduced ISO range compared to the Electro GT model model - 25-500 ASA compared to 25-1000 ASA - but for shooting in sunlight anything over 400 ASA is pointless as the max shutter speed and f stop available won't allow correct exposure (1/500 and f/16).

Even at f/16 1/500 I find my CC over exposes slightly in full sun - probably the shutter speed isn't quite what it should be - you can always use a polarizer or ND filter to get things more in range if you're wanting to use 400 ASA film, such as XP2.

I was out shooting with a CC yesterday - putting a test roll of XP2 through it

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Thanks for the explanation; very interesting. That is an amazing shot! I have never put B&W through it that I can remember (plenty through the Sportsman though :) ) I used to keep it on the boat in pre-digital days as it was so easy to use for those grab-shots. I clearly need to dust it down and load some film in it once again. (My daughter has an identical model.)
 
Great write up and pictures, got a couple of GTN's myself, can be tricky to locate a fully working one off eBay, both of mine were in half working state, one of mine had a dodgy pcb for showing over and under exposure, so it gave false readings (audible crackle as the shutter was half pressed), got my money back on that one and the other has a shutter button from another model that doesn't quite fit so had to modify it to fully press the internal mechanism down properly.
Still waiting to dev my test roll from it, holding off as I made a school boy error, was out shooting, taking lens cap on and off, found a nice location to shoot the last 25ish pictures on the roll, did so, couldnt find my lens cap, realised I have left it on, so the majority of my film will be black. Silly billy.
 
Excellent write-up and some cracking shots Chris. And I like that cunning ploy. A film camera every month eh? And she fell for it?! ;)

She did indeed Pete, she did indeed :D
 
Great article, and some fantastic images! I await the arrival of my black and chrome version with increasing impatience after seeing the results!
The Lynx 14 had an even faster lens with a 1.4f lens! If I was greedy, I'd buy this one as well (I just might, it's my birthday next week) my knackered old Yashica J sits on the shelf looking worse for wear these days ( Brick Lane about 10years ago...£9) it's great if you want to experiment and get light leak flaring over your prints, but other than that, I think it's had it.
Hi praise indeed comparing it to an Ex-Pro, I was never a fan of the all black camera, but the Electro has swayed me
 
Chris,

Thanks for posting all the great information in this thread. A friend gave me a GSN, and I am just getting in to it. I have downloaded the manual. The camera work perfectly. The photographer on the other hand...

I especially appreciate the battery tip.

I aim to use the camera in anger this weekend, giving my Fuji a well earned rest.
 
Nik/Stephen - hope you'll both be happy with the Yashicas - they seem very well put together, and ahead of their day in many respects.

No idea why it took me so long to discover them - I think I had an idea that Yashica was cheap or poor quality for some reason - which I now know to be wrong!

I just put a roll of Provia through my CC yesterday, so will be looking forward to seeing the results later today when the lab has them scanned.

Nik - regarding black cameras - I though everyone knew that black cameras take better photos! :D :D :D
 
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