Chris Dodkin
West Coast Correspondent
Most motorsports is shot with long telephotos, with the photographer behind the security fencing, catching the distant action on track.
However, if you can get yourself into the pits, perhaps during a practice session, you can change things up a little, and go WIDE for a different view of the sport.
Here's the Canon 15mm fisheye, at California Speedway - giving a different perspective on the cars and drivers.
All shots 1D MKII
However, if you can get yourself into the pits, perhaps during a practice session, you can change things up a little, and go WIDE for a different view of the sport.
Here's the Canon 15mm fisheye, at California Speedway - giving a different perspective on the cars and drivers.
All shots 1D MKII