Good evening, (5pm Saturday)

Ho Laurence ...
As I said in another thread I'll say hi properly when im not at a wedding on my phone :)
Welcome to the forum ... Get stuck in :)
 
I'm actually technically a guest today (first time in 3 years) ... But once a person who does wedding photography ... Your never really a guest again ... :)
 
Welcome to the mad house Laurence! :)
 
Ooooo you are awful....
 
Hello again folks. Thanks for the replies.
I'm an aging Canon user, specialising in product photos.
Now I'm registered I find I seem to have nothing to say! Sorry.
 
A picture is worth a thousand words... sorry, couldn't resist! LOL

Post up some shots Laurence - would love to see some product photography.
 
Oh dear........... I never usually do this. I'm used to uploading from my desktop, but not "sharing" in this sense. I don't use Smugmug, Flickr, or any of those, so I'll try something which probably won't work.... Here goes:
15480ee00a2587d8265f890f80b81103.jpg
 
Very nice - Love the way you got the wood grain to glow without getting high points from the source of illumination.

Must be tricky to light something that big evenly?
 
How the guitar shot works.... Roughly.

Ok, this is tricky. Not because it's a particularly hard shot, but because I tend to have images in my head which I translate into pictures. This skips the logical planning part and makes my lighting hard to explain. I'll try though.

The guitar is placed on a black cloth sweep. It needs to be cloth because that absorbs the light better than paper, and it provides more grip on the point where the £3000 guitar touches it.
Now, according to my contract, I must tell you that the guitar is a VANQUISH MYSTIQUE made in Peterborough UK by Adrian Hardman. Ok, obligation covered!
The guitar is angled so that no part is covered by the cloth where it touches, and the bulk of the instrument is as far as possible from the background.
Next, the key light source has to glance off the highly reflective parts at such an angle as to be lost. This way the specularity is reduced.
Further to this, the light is diffused by a 60 inch heavy duty black-backed brolly. It's black-backed because ambient levels are low and no additional light in the surrounding studio area is wanted. A softbox would be equally good or better, btw.
The key light is a 600ws interfit strobe. I love interfit strobes! Simple and dependable.
Then, another light is placed roughly at 90 degrees to the first, and set about 2 or 3 stops lower. This is angled to fill in and provide a more 3d look.
After this, small white reflector cards bring up the headstock.
Ummmm.......... That's about it really.
Sorry.
 
Hello.
In terms of products, I shoot anything really. Other than that, I shoot events, exhibitions and case-studies.
I really enjoy it, but it's not glamourous and I'm not rich!
 
Similar line of work to me ... Products and event (and weddings of course)
Saying that I'm really more a website building person now ... And part time photographer!
I agree with the lack of glamour... And money ;)
Where are you based?
 
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