Hardest possible subject - self portrait

I learned portrait lighting with myself as a model back at the beginning. Of course with film, there was no immediate confirmation or feedback. Without a mirror, I had to visualize lighting angles, which definitely slowed the learning process, but sped up lighting once I had mastered it. Digital is such an excellent learning tool with immediate feedback and confirmation.

A few months back, the company who writes the 3D modeling, rendering and animation software I mostly use did an interview to help promote the latest version of their software and needed a photograph to go with it. I used the X-Pro1, with the f/1.4 35mm lens. It has the old-style cable release capability, and Fuji Canada gave me one when I registered the camera. I set the distance manually, probably using f/5.6 both for sharpness and depth of field. Lighting was from my living room window, which acted as a large soft-box. An articulated monitor would have helped, but in any case I got something they liked. I use it quite frequently on Facebook where it has 65 "Likes" and considerable discussion.

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Thats a great shot Larry :D
 
Seem to be doing well Larry

 
A commercial shoot, where I was both the shooter and the subject. I considered the target audience and did a shot that I hope communicated the person I wanted them to know. If you read the interview, you would see that I worked both sides of the focal plane. I assessed what in the image I wanted to portray. At my age, I really could not portray the bare-chested hunk as groupie bait, so rather went for a mature artist-intellectual image.

No matter how consciously contrived, it does match who I am at this point in time. Two years down the line, it may match who I was in 2012, but not who I am in 2015. Hopefully, the real image of me then will not be the drooling Alzheimer victim, lost, looking for his home, but an even more mature artist, still trying to push the edge in every way.

My software supplier has informed me that my most fervent demands will be met with Shade 14E—which I am now working with in beta. If they are successful, I will be able to greatly ramp up my level of detail, believability, and image quality, making the photographs of my imagination ever more accurate and my fantasies much less inhibited. The feature I have requested has the potential of a leap of an order of magnitude in my power to create.

This software allows me to make photorealistic images of the stuff of my dreams and my imagination. It is incredibly empowering for an artist. It is totally photographically based, but takes photography to a level beyond what I could have ever imagined back in the dark ages of film. It has a massive learning curve, for anyone who is not a photographer.

I deeply appreciate the level of interaction that e•frontier has afforded me, and the personal relationship I have been able to develop with the brilliant leader of the team, Sunny Wong. With a quarter of a million users, it is a rare experience to have this kind of relationship with a software house. They—the e•frontier team—totally understand photography and have provided me with virtual photography tools that function exactly as an analogue camera functions. The Shade camera uses standard 35mm lenses, but provides all view camera movements. It is capable of video in all formats, as well as fisheye, panoramic, stereo and video formats. Virtual light works just like natural light. All this in a creative environment that is only limited by your own imagination.

Imagine asking Adobe for a feature, and getting it in the next build of Photoshop!
 
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I don't mind doing self portraits, and what i mean by that is I have a look i like..... does that make any sense?
 
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