Rambling through Rotherhithe and beyond

Peter Roberts

Well-Known Member
Back in the summer I took walk I'd been meaning to do for some time. Along the Thames Path from London Bridge all the way through to Greenwich. The weather was, as they say, unsettled and it was only the shots taken in the middle of it that were satisfactory to me. Here are a few of them.

St Mary's Rotherhithe has strong maritime connections. Christopher Jones owner and captain of the Mayflower was from Rotherhithe and worshipped here. The Mayflower of course achieved immortality when she was chartered to carry the Pilgrim Fathers across the Atlantic. In addition some of the fittings in the church are from timber salvaged from HMS Temeraire of the Turner painting fame.

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Across the road from the church is what was its burial ground complete with a Watch House to prevent body snatchers disinterring corpses in order to sell them for medical research.

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The burial ground is now a community garden and open space but evidence of its former use can be seen against the walls.

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There are some nicely preserved old buildings around here still being put to their original use of servicing the needs of river-borne trade.

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This was the pedestrian entrance to the Thames Tunnel, the first tunnel built under a navigable river. It was engineered by Marc Brunel, Isambard's father. The tunnel is now used by the East London Line (I refuse to call it by by its recent instantly unrecognisable name) which is part of London Overground and this entrance is now an emergency access.

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Continuing into the Surrey Docks area there are interesting swing and bascule bridges spanning what were once dock entrances.

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Eventually Deptford is reached. Subject to controversial house clearances in the fifties and sixties which destroyed whole communities the least said about it the better. This may very well be its most picturesque building. The old Princess of Wales, no doubt once a fine boozer but now sadly seeing out its days as bedsits, or a House in Multiple Occupation (HMO) as they are termed these days.


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Minolta XD7 / Rokkors 45mm f2 and 28mm f3.5 / Yellow filters / FP4+ / Rodinal 1:50 semi-stand
 
with an historical narrative is something I'm finding myself increasingly attracted to

I like this idea - please do keep it up.
You won’t remember this, but my very first post on this forum was about single photos versus film rolls: https://realphotographersforum.com/threads/film-rolls.25692/
I don’t want to go over again the project I’m working on, which is all about documenting the historical heritage of the last century in my town.
The process involved in being engaged into these “storytellings”, as you called them, is often more rewarding than producing a few excellent photos that aren’t connected to one another.
But by saying this, I don’t mean to diminish the artistic or creative power of a beautiful photograph. I simply want to say that I agree with you - exploring a specific theme can be deeply engaging.
 
exploring a specific theme can be deeply engaging.
Thanks for this comment, Gianluca. I rather think we are both moving along the same lines.
Often I have a specific project in mind which can sometimes take months to complete. This is an example, https://www.35mmc.com/05/01/2025/orwells-greenwich-a-photo-essay/
On the other hand some seem to fall into place spontaneously as this recent one did https://www.35mmc.com/27/09/2025/cr...-yashica-d-and-kodak-gold-200-the-whole-roll/
Both of course involved research, which I find satisfying, and engaging with people who showed in interest in what I was doing and why I was doing it. Also important is a need to achieve the right balance between words and images so that one doesn't overwhelm to other. I also like to include a few personal asides or interpretations, this might not be to everyone's taste but I like to consider that my style.
 
Look, @Peter Roberts , I’ve read your article Crosby's Blitz Beach and found it deeply moving. I usually avoid commenting on photos that might relate to past or future wars, or images of military equipment (I’m not referring to this article, of course, but to other posts on this forum) because current events are unsettling enough on their own. But your article is extremely interesting, and I can completely understand why you felt the urge to document that beach. Those photos are such a powerful record. Those bricks stamped with factory marks speak volumes. And the introduction, written in a lighter, ironic tone, is an elegant link between past and present. The fact that you then took those beautiful photos with a 1950s film camera is the icing on the cake for your account. You have my utmost respect.
 
Thanks for commenting at length. Gianluca. It really is much appreciated and is what forums should be for.
I completely understand your point of view and agree that....
current events are unsettling enough on their own.
The problem is that when dealing subject matter that includes an historical context unfortunately war and conflict or their consequences are often involved. As I don't do whitewashing or cancel culture when this is the case I try hard to deal with it in terms of what Wilfred Owen described as ' the pity of war'.
 
I completely I enjoyed my walk along the Thames. I am surprised the yellow filter didn't produce greater contrast.
Thanks very much, Gary, I'm glad that you enjoyed it. Although this walk was a new one on me there are several others that I take on a regular basis. I'm always surprised that no matter how often I take them there's always something different to see or learn. I'll get round to posting a few more.
The effect of the yellow filter seems just right for my taste, but then I don't find Ilford films particularly contrasty to start off with. Perhaps that's just a consequence my developing technique.
 
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