I wouldn't know where to start!!
OK, but just for you, here's the list associated with the Cambo:
Cambo Legend with rotating back and glass / fresnal screen
Extension rails (25 cm and 65 cm) plus centre standard and second bellows (for macro / v long lenses).
Polaroid 545 back
6x7 and 6x9 roll film backs
Bag bellows for WA lenses
Cambo Compendium lens shade with vignettes etc.
Linhof to cambo lens panel adapter (I have an Ebony 5x4 field camera with lenses mounted on Ebony / Linhof panels)
Cooke 9" soft focus lens - Copal 3 (probably my most prized lens in any format).
Schneider Apo-Symmar 240 f/5.6 (Copal 3)
Schneider Apo-Symmar 360 f/6.8 (Copal 3)
Schneider Super-Symmar HM 120 f/5.6 (Copal 0)
Rodenstock Grandagon N 75 f/4.5 (Compur 0)
Rodenstock Apo-Grandagon 55 f/4.5 with centre filter (Copal 0)
Mounting plate for Hasselblad V system lenses
PhaseOne Flex Adapter (sliding back) for PhaseOne digital and Hasselblad V and H backs (2 plates)
Rodenstock focusing loupe (thing on the string in the picture)
Various straight and elbowed cable releases
Ground glass sensor for Minolta IV meter (although I usually use Sekonic meters - L-758D in this case)
Big black cloth to stick over your head!
Oh yes, and a stack of Fidelity double dark slides (5"x4").
The camera is shown mounted on an old Elektra studio stand which is perfect for the studio in Berlin as the height is limited where there's an old beam (I have a large Cambo stand in England but it is just too tall so I brought the shorter one here) using a Sinar rotate and tilt head (soon to be replaces by an Arca Swiss Cube).
Here's a quick snap to highlight the difference between Copal 0 (L - 120 mm lens) and Copal 3 (R - 360 mm lens)
). The kid loves Vinyl and is going to get a record player for her new room. I'm the one who's lazy and sticking with itunes. Is that admission grounds for excommunication?
